
“The intervened library” is a range of publications that have been altered and modified by artists. The exhibition has been curated by Ingráfica and managed by Hablar en Arte for its exhibition / consultation.
“The intervened library” poses a challenge to the participating artists. They have to deal not only with the “blank” paper, page or canvas, but have to work with a medium that itself holds content. The publication thus conditions the artist’s idea of the intervention and will determine to a certain degree the final result. “The intervened library” accepts all types of interventions (drawing, collage, cutting, inserts, etc. etc.), with the sole condition that the publication that is used as a canvas should be an existing and published book.
As in every library, any kind of “literature”, aimed to all audiences, will be necessary. Hence the heterogeneity of the selection of artists that have been invited to the first stage of “The intervened library”. For the first phase of “The intervened library”, Ingráfica invited 40 artists to produce the first 40 works of the library, which will grow and become bigger with the time passing.
The library with the unique works of the archive can be touched and read on its itinerancy to different national and international venues throughout 2012 and 2013.
Venues:
- Museo de Arte Moderno y Contemporáneo de Santander y Cantabria (MAS), Festival Desvelarte, from Monday 5 to Sunday 11 of September, 2011.
- Galeria D’art Dolors Ventós, Festival Ingràvid de Figueras, from 9 to 19 of November, 2011.
- Espacio F, Mercado de Fuencarral de Madrid, from December 20, 2011 to January 9, 2012.
The library is also available online and can be revised and studied at this website:
Esther Achaerandio
20 x 25,5 x 3,5 cm
deuxieme partie,
troisiéme partie
Izaskun Álvarez Gainza
3 piezas de 14 x 23 x 0,4 cm
Javier Arce
22 x 15,5 x 7 cm
Tamara Arroyo
21 x 15 x 0,7 cm
Irene de Andrés
29,6 x 21 x 2,5 cm
Marlon de Azambuja
20 x 25,5 x 4 cm
del espectáculo
Busto Bocanegra
14,5 x 22,5 x 1,3 cm
Míriam Cantera
11,5 x 27,5 x 1 cm
Pedro Luis Cembranos
20,5 x 14,5 x 0,5 cm
Daños Colaterales
35 x 25 x 3 cm
Javier Chavarría
37 x 22 x 2,5 cm
verso il west
Raúl Díaz Reyes
22,5 x 29 x 0,5 cm
Julio Falagán
18 x 12 x 2,5 cm
Theo Firmo
15 x 10,5 x 2 cm
Nuria Fuster
25 x 17,5 x 15 cm
María Gambín
17 x 24,5 x 4 cm
observaciones y Prufrock”
Fernando García
21 x 15 x 1 cm
de embriología
María García-Ibáñez
25 x 17 x 2 cm
Sonia Higuera
27,5 x 30 x 9 cm
Eduardo Hurtado
17 x 22 x 12 cm
(colita de cerdo)
Hisae Ikenaga
23,5 x 14 x 8 cm
Olaf Ladousse
10,5 x 15,5 cm
Juan López Díez
17,5 x 12 x 2 cm
Carlos Maciá
24,5 x 18,5 x 1 cm
plantes grasses
Oscar Martínez Martín y
Eva Rueda Catry
13 x 18,5 x 1,5 cm
Momu & No es
20 x 15,5 x 2 cm
Las cuatro verdades
de los cuatro colores
de los cuatro símbolos
de los cuatro secretos
de metem
Monoperro
37,5 x 28 x 5 cm
sobre “El nacimiento
de la tragedia” cuando
lo leí en 1996
Alfredo Morte
18,6 x 13,4 x 4,3 cm
Pepe Murciego
17 x 12 x 0,4 cm
plano intervenido
Jaime Narváez
21 x 15 x 1 cm
Noaz
los subalternos?
Blanca Pérez-Portabella
16,5 x 21 x 1 cm
Jordi Ribes
22 x 16 x 0,5 cm
Belén Rodríguez González
22,4 x 14 x 1,2 cm
[Sobre “Fragmentos de un
libro futuro”,
de José Ángel Valente]
Mario Sarramián
12 x 20 x 1,4 cm
composé des annuités
et de l´amortissment
de l´artiste
Pablo Serret de Ena
27,7 x 22 x 2 cm
Daniel Silvo
28 x 21 x 3 cm
Luis-Felipe Talo
30 x 21 x 2,5 cm
you should know
Françoise Vanneraud
24,5 x 20 x 1,7 cm
Zoé T. Vizcaíno
20 x 13 x 1,5 cm
Maya Watanabe
22 x 14 x 4 cm
